Tonight I will have the honor of being in the studio at WMBR in Cambridge at the Musenomix show for an interview with hip-hop legend Kool DJ Red Alert!! Clearly the man needs no introduction. Tonight, Dana and the dudes at Musenomix will celebrating his industry-defining career from 10PM – 12AM. From an early start as one of Afrika Bambaata’s DJs with cousin Jazzy Jay, to his 11 year run on NYC’s Kiss FM and much much more, this man has literally been there since the start and helped define the music that defined a generation. A true hip-hop legend.
For me, the night has a special personal significance as well. Although I never got to hear Red Alert live on KISS back in the day, my friend Rob used to tape the show regularly and bring these little time capsules of hip-hop culture back out to Indiana with him where we went to college together. Few memories are as sweet as driving all blazed up with Rob through the winding roads of Richmond Indiana late on a warm spring night rockin’ Red Alert’s show. That was back in 1988 or so.
Somehow, I wound up with one of these tapes and it remained a critical touchstone for me long before I ever picked up two 1200 and crappy Gemini mixer to begin my training. I used to listen to that tape and try to imagine the techniques the DJ’s were using cut, mix and strobe those records. Their ability to remix my favorite songs live in real time, literally made me want to become a DJ, which I eventually did.
Back in the late 1980s, I had yet to see any of those things done live and didn’t know any turntablists personally. So, like many aspiring DJs who came up before the proliferation of internet lessons, I tried to learn from the tapes and records I heard, imagining the techniques and slowly training my hands to do what I heard as best I could. In many ways, this tape has served as a goalpost for my own evolution as a DJ over the years. I have yet to make a mix even half as as good.
It remains a prized piece of my audio collection and a fond memory of my long departed best friend, Rob. Here are the first two parts for you. Headed off to the studio now to hear from a legend!
I think I first met Billy Ruane in 1988 when I sat in with a friend’s band at the Middle East upstairs. I was back from college on a winter break that turned into a year long hiatus in which I attended a bunch of Billy’s shows. At that time, The Middle East Downstairs was still a bowling alley and until recently, the entertainment upstairs had been mostly belly dancing and other light cultural fare. In the legendary Boston rock origin story, Billy Ruane changed all that in 1987 and lit the fire that still burns in Central Square. In the family of Boston rock, Billy was the crazy uncle who always came with arms full of gifts (even if they were sometimes as mysterious as a trunk full of scavenged biology texts).
The other night as I wallowed in Pabst Blue Ribbon while watching old footage of Billy at the closing of Mojo Records and making a mix tape in his honor, who should walk in but Roger Miller. In a moment of chance that seems divine, sitting there on the top of the pile of Human Sexual Response, O Positive, Neighborhoods, Lyres, Treat Her Right, Throbbing Lobster, Limbo Race, Wrong, The Dark and Morphine records was Roger’s own 1987 release The Big Industry. Not only is this a significant record for me personally (Roger played twice at my college around this time and was nearly attacked with a machete in my dorm after a show), the release party for this record was the first real rock show at the Middle East. Billy had already been trying book bands in the restaurant’s back room but they had been reluctant. Roger beat him to it for the release of The Big Industry and Billy came back to the Middle East upset that he had been scooped. The next month, in November 1987, he convinced them to let him book bands there for his 30th birthday party. It has remained a hub of the Boston music scene ever since.
Here’s the mix of mostly 80s’ post punk and pop rock I made in Billy’s honor. In fact, I’m not sure he even liked any of these songs. It’s just a mix that reminds me of him and expresses some feelings about his loss that I could not express better in any other way. Plus, its just a bitchin Boston mix. My favorite kind.
1. Unba Unba – Human Sexual Response
2. Houses R Falling Down – The Dark
3. Manic Depression – Roger Miller
4. Sin City – Treat Her Right
5. Sharks – Morphine
6. Talk About Love – O Positive
7. /one/blue story/ – Wrong
8. Down and Backwards – Limbo Race
9. Boys Town Work Song – Christmas
10. Prettiest Girl – The Neighborhoods
11. I Think She Likes Me – Treat Her Right
12. Yesterday – Swinging Erudites
13. No Reason – Treat Her Right
Over the years, Billy paced me (and passed me often) throughout the Cambridge music scene. A dervish dancing like it was a Dead Kennedy’s show to the mild mannered Kora player he had booked at the Green Street Grille. Shirt open to the navel always. Beer barely in hand. A dapper disheveled Boston rock impresario racing through Cambridge with his heart on his suit jacket sleeve leaving a trail of musical madness in his wake. Who will teach the children to slam dance in their slippers and nightshirts? He booked the Pineapple Ranch Hands and so so many other bands over the years. Hell, I even interviewed him for my dissertation on Boston nightclubs.
Although we were not close personally, we knew each other well after 20 years of bumping into each other at shows. For so many people, Billy was the best friend you saw too little and always had the best time with. Maybe the closer you got, the more likely you were to get burned from his intense heat. But from my safe distance, Billy was a comet that streaked through most of my adult life. Usually when I was having the most fun.
Though I always met Billy over music, in the end I knew him best through records. Over the years, I encountered him often on my rounds. At a yard sale here. At a Goodwill there. Often at Mojo Records in Cambridge. In March 2006 Mojo closed. I was there filming between Sunday March 19 and Tuesday March 21. Billy was there too. Every day. In the end, it came down to a race between Billy and the Goodwill Guys. I guess it always did. This time, I got it on film. Billy was never quite so Billy.