This is the first of what I hope will be a series of Magnus mixes. I’ll be saying more about all this as soon as I can get my head around it and talk more about the plans for his record (and other) collections. The short version is that on Memorial Day weekend 2013, Brian Coleman and I went on an epic mission to get the remainder of our dear friend’s record collection. That Sunday evening, a group of his friends (many of whom remain active in local college radio!) gathered to begin sorting, organizing, and marveling at his legendary taste.
This whole process reaffirmed my core idea that (certain? all?) record collections represent important cultural documents that are worthy of preservation as collections, and reminded me how quickly all these high falutin’ ideas turn into matters of boxes, brute force, and storage space. It also reminded me how records, and record collections, bring people together in a way that digital media just don’t (no, not talking about dance floors here, you know what I mean). As we all sat in the piles and sorted our friend’s records together, we shared (mostly musical) stories about him, marveled at the choices he seemed to have made, and in the process, discovered new connections and paths through places and times we shared with him. As we discussed how (and where) to preserve and continue to share his amazing spirit and musical collection, we agreed that a series of Magnus mixes would be the best way to get started. So that’s just what I have done.
One of the greatest things about getting to know his record collection has been realizing how much he loved funk, soul and R&B (especially female fronted northern soul groups). Although this is not that surprising given everything else he liked, we literally never discussed this side of his tastes, spending most of our time on classic rap, world, reggae, jungle, trip hop, electronica, etc. It has been great to get to know this side of him and to continue learning amazing new tunes from him. It’s almost like he were here with me, and in a way, he is. A record collection like this is a great teacher even without a proper tour guide.
As I sorted 45s over the last few weeks, I seemed to keep digging up dance tracks about monkeys, hot pants, funky worms, and family. So I threw em all together in a summer soul 45 mix I call Hot Pants Monkey Dance (Mama Don’t Allow No). Like all my mixes, it’s a crazy quilt with many threads cross cutting it in various directions. But mostly, its just a funky ass soul/funk 45 mix fresh for Summer 2013 c/o our friend Magnus. I hope it heats up your barbecues, beach trips and rec rooms this summer.
Ohio Players – Funky Worm
Reparata and the Delrons – Mama Don’t Allow
Shirley Ellis – The Clapping Song (clap Pat Clap Slap)
Miriam Makeba – Pata Pata
Les Tres Femmes – Listen to Your Mama
Norma and the Heartaches – Hot Pants
Ohio Players – Skin Tight
Calhoon – (Do You Wanna) Dance Dance Dance
Bettye Scott and the Del-Vetts – Down, Down, Down
Cameo – Just Be Yourself
Michael LeGrair – Hustle on Down (Pt. 2)
Otis Redding – Papa’s Got a Brand New Bag
The T.S.U. Toronadoes – Getting the Corners
The Barkays – Son of Shaft
The Beginning of the End – Monkey Tamarind
Les Cooper andd the Soul Rockers – Let’s do the Boston Monkey