Last week after Beat Research, I was so inspired by Trizlam and his “piquito sound system” that I came home and was rockin’ decks into the wee hours (as I do after the best of these nights). Earlier that day I had been to Stereo Jack’s where I scooped up some wax I had not yet digested and I was glad to have them waiting for me when I got home.
Among the new arrivals was a 12″ of Crosseyed and Painless (a personal favorite). When I dropped it on at 33 it was naturally screwed (it’s a 45)! Glad to have stumbled on this little gem (I love naturally screwed records and to find one of an old classic was a special treat), I was blissfully nodding along when my neck noticed it was flexing with a familiar cadence – 95 BPM or thereabouts. Mmmm, nice. Hip-Hop tempo. Perfect for the late hour and mixological ramifications.
Feeling inspired, I snatched up the first instrumental I could find, which turned out to be Mos Def & Diverse – Wylin’ Out. Perfect. The result worked both harmonically and rhythmically (and perhaps in other ways as yet undefined). To me, the combo had special significance because I hear these tracks as two Beat Research classics (or at least Flack classics). Anyway, thanks again for the inspirado Beat Research. I hope you enjoy my Screw Up* of these two tracks.
*I call this a Screw Up because its kind of a mashup where one track is screwed. Not chopped, just screwed. And in this case, nearly naturally (though It did wind up in Live for a little finishing and I slightly reorganized the Mos Def track to make the choruses fit a bit better.)